Some tracks are based on old samples in such an artful, creative manner, it nearly reinvents the original. (I'm thinking of an obvious choice, for me, here: Madonna's "Hung Up," rooted in a clip of Abba's "Gimme! Gimme! Gimme! (a Man After Midnight)"). And some songs grab old samples and just sort of plop a newer artist into the mix, making the sample, and its familiarity, the entire point. The latter trend was a dominant one in 2022. Perhaps you felt like you heard a lot of Fergie's "Glamorous" (that was Jack Harlow's "First Class"); or Rick James's "Super Freak" (it was probably Nicki Minaj's "Super Freaky Girl"). Jon Caramanica explains what was happening this year, and what it meant, in a year-end notebook with a lot of illuminating side-by-side audio. |
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