Friday, December 16, 2022

Louder: Why So Many Hits This Year Sounded … Familiar

Plus: SZA, Boxed Sets, Angelo Badalamenti and More
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By Caryn Ganz

Pop Music Editor

Some tracks are based on old samples in such an artful, creative manner, it nearly reinvents the original. (I'm thinking of an obvious choice, for me, here: Madonna's "Hung Up," rooted in a clip of Abba's "Gimme! Gimme! Gimme! (a Man After Midnight)"). And some songs grab old samples and just sort of plop a newer artist into the mix, making the sample, and its familiarity, the entire point. The latter trend was a dominant one in 2022. Perhaps you felt like you heard a lot of Fergie's "Glamorous" (that was Jack Harlow's "First Class"); or Rick James's "Super Freak" (it was probably Nicki Minaj's "Super Freaky Girl"). Jon Caramanica explains what was happening this year, and what it meant, in a year-end notebook with a lot of illuminating side-by-side audio.

Our critics also looked at 16 standout boxed sets (you still have time to buy some gifts, right?) and chatted about the year's best songs on Popcast, while our photo team compiled one of my favorite annual features, the year in arts pictures.

Jon Pareles named SZA's new album a Critic's Pick; Elysa Gardner profiled Samara Joy, a young jazz vocalist with a best new artist Grammy nomination and a big following on TikTok (and a few dates at Lincoln Center this weekend); and James Poniewozik remembered the composer Angelo Badalamenti with an appreciation for his "Twin Peaks" theme.

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