Anticipating Rihanna's return to music, Lindsay Zoladz writes, "has gradually transformed from an earnest desire to an internet punchline to a chronic existential condition." The waiting may be the hardest part, but there is something unique about Rihanna during the seven years since her last album: Her fans continue to extend her an extraordinary amount of grace. |
"Her mystique has ballooned in absentia," Lindsay writes, "allowing people to project onto her seemingly contradictory ideas. She is everything to everyone, the exception to every rule." Perhaps that's why she's escaped most questions about why she's doing the Super Bowl halftime show this weekend, after swearing it off in a 2019 interview, when the N.F.L. was still embroiled in controversy for its response to Colin Kaepernick's activism. But she is coming back — even if for one day only (though I doubt that) — and after so much time away, the stakes are high. Lindsay surveys Rihanna's creative path to this moment in a very astute notebook. |
We're still in the shadow of the Grammys (this staff Popcast will be our last word on it), but there's a lot of other great reading in here: Jon Pareles in conversation with Laraaji, a pioneer of ambient music (with quotes from Brian Eno!); Stephen Holden's obituary for Burt Bacharach; Christopher Petkanas on the digitization of the Soul newspaper archives, a vital publication devoted to Black artists that ran from 1966 to 1982; and of course Danyel Smith's sweeping profile of SZA, in the magazine this week. |
| METRO, STYLES, THE MAGAZINE AND T | | | | | |
Make a friend's day: Forward this email! |
|
No comments:
Post a Comment