Plus: Margaret Atwood on Stephen King's 'Carrie'
| Dadu Shin |
Dear fellow readers, Mark Twain's "Adventures of Huckleberry Finn" is a masterpiece, and "James," Percival Everett's new retelling of it, just might be one too. That's the verdict from our critic Dwight Garner, who allows that although he doesn't much care for reimaginings of famous novels — "a wet-brained and dutiful genre, by and large" — "James," told from the perspective of Jim, Huck's enslaved companion, is a brilliant exception: "It should come bundled with Twain's novel. It is a tangled and subversive homage, a labor of rough love." I haven't read as many Everett novels as I should have, an omission I'm trying to rectify this spring, and right now "James" is at the top of my list. I love the happy anticipation of reading a book that's come highly recommended, one that friends and colleagues have loved. I can't wait for the weekend to get here so I can crack it open. If you have time, tell us what you're reading! (We may publish your response, or feature it in an upcoming newsletter.) You can email us at books@nytimes.com. We read every letter sent. Tina Jordan Deputy Editor, The New York Times Book Review
Continue reading the main storyLike this email? Sign-up here or forward it to your friends. Have a suggestion or two on how we can improve it? Let us know at newsletters@nytimes.com. Need help? Review our newsletter help page or contact us for assistance. | | LOOKING FOR YOUR NEXT READ? | | | | Continue reading the main storyWe hope you've enjoyed this newsletter, which is made possible through subscriber support. Subscribe to The New York Times. | | THIS WEEK IN THE BOOK REVIEW | | The Stapleton Collection, via Bridgeman Art Library |
nonfiction The Hidden Figures Who Spread the GospelIn "God's Ghostwriters," the historian Candida Moss explores the many people who penned the Scriptures. By Timothy Farrington | | Elizabeth Renstrom for The New York Times |
Stephen King's First Book Is 50 Years Old, and Still Horrifyingly Relevant"Carrie" was published in 1974. Margaret Atwood explains its enduring appeal. By Margaret Atwood | | Alberto Casagrande |
Fiction A Comic Riff on Greek Tragedy, With an Irish AccentIn Ferdia Lennon's charming debut, "Glorious Exploits," Athenian prisoners stage Euripides for their wine-swilling, foul-mouthed captors. By Annalisa Quinn | Continue reading the main story | | RECOMMENDATIONS FROM OUR COLUMNISTS | | | |
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