Wednesday, March 27, 2024

The T List: Five things we recommend this week

Handmade cement tiles, a Venice spa with perfumed art — and more.
Continue reading the main story
Ad
The T List

March 27, 2024

Welcome to the T List, a newsletter from the editors of T Magazine. Each week, we share things we're eating, wearing, listening to or coveting now. Sign up here to find us in your inbox every Wednesday. And you can always reach us at tlist@nytimes.com.

COVET THIS

Rugs That Conjure an Ancient Garden in Kabul

Left, desert mountains that look pink in the sunlight. Right, a pink rug with red, yellow and pink drawings of plants and trees with a star and heart in the center.
Left: a view of Bamiyan, Afghanistan, where some of the artisans employed by the London-based company Ishkar artisans work. Right: a hand-knotted Ghazni wool rug, titled Kabul Sunset Bouquet, designed by Louis Barthélemy for Ishkar.  Left: Glen Wilde. Right: courtesy of Ishkar

By Gisela Williams

T Contributing Editor

Continue reading the main story

ADVERTISEMENT

Ad

If Indiana Jones took a turn toward the elegant and developed an obsession with textiles, he might be a bit like Louis Barthélemy, the French illustrator and designer who travels to Africa and the Middle East to work with weavers and craftspeople who are skilled in traditional techniques. Ishkar, a London-based company that collaborates with NGOs and artisans to create job opportunities for those living in isolated areas of countries often affected by war, recently commissioned him to create a capsule collection with women weavers in Afghanistan. Barthélemy typically works with artisans in person to create tapestries or rugs but, since the Taliban retook power in 2021, he's had to connect with the weavers remotely. At the start of their collaboration, Barthélemy asked the weavers to draw a place that symbolized beauty to them. Many of the women chose the 14th-century Bagh-e Babur (Babur's Garden) in Kabul. Images from those drawings, and one by Barthélemy himself, were then combined to create the patterns for three different rugs. Each one took about six months for the women to hand knot from Ghazni Wool. They are, Barthélemy says, "a collective dream of an ancient paradise." The rugs can be seen in London at Sunbury Workshops on Swanfield Street from April 24-26, and through September at the Ishkar flagship showroom; from about $4,000, ishkar.com.

EAT HERE

A Newly Michelin-Starred Restaurant in France's Dordogne Valley

Left, a stone house sits in a field with a blue sky behind it. Right, a cream-colored plate has a carefully arranged green onion and a pink piece of meat on it. A small bowl nearby has a kind of pudding in it topped with raspberries.
Left: the 19th-century mansion in Altillac, France, that houses the restaurant Cueillette. Right: veal fillet with smoked eel, cabbage flowers, garlic and raspberry from the vegetable garden. Spatule Food Content

By Marina O'Loughlin

In the lush countryside linking off radar Corrèze to the Lot region in Southwest France, almost hugging the banks of the Dordogne river, a striking 19th-century manor house recently underwent a dramatic reconstruction. This is Cueillette. Here, in a light-filled room whose ceiling blooms with almost Surreal apple forms, the building's owners — the publicity-shy Gervoson-Chapoulart family that's behind Andros, the company whose brands include those cute little pots of Bonne Maman jam — have installed the chef Oscar Garcia. When he was 25, Garcia was France's youngest Michelin-starred chef, so it's somewhat startling to find him, a decade later, in the middle of beautiful nowhere, serving up hyperlocal haute cuisine. (Besides the dining room, usefully, are five guest rooms.) Dishes tread the line between delicacy and substance. There might be trout or sturgeon from the river, game shot locally, Limousin beef, fruit and vegetables from the property's own orchards and gardens. Cueillette had Michelin justifiably in its cross hairs, and it has paid off: The restaurant was awarded its first star this month. Astonishingly, a multicourse lunch — a recent menu included a veil of lasagna-like cauliflower gelée over sturgeon tartare; Cueillette's own bread, rubbly with the famous Corrèze walnuts — is currently €35, or about $38, possibly the most outrageous bargain in France right now. restaurant-cueillette.fr.

Continue reading the main story

ADVERTISEMENT

Ad

CONSIDER THIS

Artisanal Cement Tiles Inspired by Modernist Homes

Six groupings of differently patterened tiles in shades of terracotta, green, light blue and yellow.
"We're not shy about using vibrant color," says Zia Tile's co-founder Danny Mitchell. Top row, from left: Case Study tiles in Aviator, Bishop and Samba. Bottom row, from left: Plume Leaf, Aviator and Reality Check. Courtesy of Zia Tile

By Roxanne Fequiere

Scattered throughout Southern California are a set of varied Modernist residences known as the Case Study Houses. Meant to showcase the possibilities of affordable, forward-thinking design, the homes were commissioned by Arts & Architecture magazine between 1945 and 1966 and were designed by midcentury modern architects like Richard Neutra, Eero Saarinen and Charles and Ray Eames. "You talk to any designer or architect in L.A. and everybody's infatuated with these houses," says Mike Leflore, the co-founder of the Los Angeles-based company Zia Tile. The collective influence of these architectural experiments served as inspiration for Zia's Case Study, a new collection of cement tiles combining traditional craftsmanship and modern design. The line features solid tiles, as well as an array of patterns, among them undulating lines and dynamic geometric forms. "Each piece is poured and pressed by hand one at a time," explains Danny Mitchell, who founded Zia Tile with Leflore in 2016. "Depending on humidity and how the color mix is done, you're going to get very nuanced variations." Zia Tile has a catalog of 64 colors, and Case Study includes four new offerings — ruddy Pompeii; cool beige Dune; burnt orange Rust; and Elemental Blue, an Yves Klein-inspired cobalt shade. Unlike other tiles that are finished with a layer of impervious glaze, Leflore points out that the appearance of cement tiles is meant to patinate with time. "It will age to the point where, in five years, it will give you that feeling of walking into a European cafe or an old hotel lobby," he says. From $10 per tile, ziatile.com.

GIFT THIS

A Parisian Illustrator's Romantic Take on the Tarot Deck

Left, a view of an illustrator's desk from above, with a pastel drawing in progress and pastel tarot cards laid on the desk around the drawing. Right, a silk pillow that says La Tempérance with an illustration of a female angel pouring water between two amphoras. Pink roses grow behind her.
Left: a hand-drawn watercolor illustration of the Magician card from Marin Montagut's Le Tarot Divinatoire deck. Right: the Temperance card, one of several designs printed on silk scarves and cushions. Thomas Tissandier

By Camille Sojit Pejcha

Continue reading the main story

ADVERTISEMENT

Ad

The French illustrator Marin Montagut has been fascinated with tarot since around age 5, when his grandmother used to draw his cards by candlelight. His latest collection, Le Tarot Divinatoire, is a tribute to the allure of fortune-telling, rendered in playful watercolor illustrations. The artist's 22-card reinterpretation of the Major Arcana was designed in his Normandy studio and produced with the help of Parisian artisans who gilded the edges of each card with gold using techniques developed in the 18th and 19th centuries. Le Tarot Divinatoire — which also includes a range of silk scarves and cushions and is sold online and at his shop in Paris's Sixth Arrondissement — captures the artist's childhood enthusiasm for a craft that, from its origins in the mid-15th century, has found renewed relevance with modern audiences. "Twenty years ago, people were like, 'What do you do with tarot?' But now, so many people are learning," he says. "I think many of us want a little bit of magic in our life." From about $70 for the card deck, marinmontagut.com.

GO HERE

In Venice, a Hotel Spa Filled With Fragrant Art

Left, a white room with a table dressed in grey sheets. On the wall are braided cloth tubes that extend onto the ceiling. Right, an outdoor cement pool has a stone wall around it. Two towels hang on a simple rack on the edge of the pool.
Left: the treatment room at the spa in the Venice Venice hotel with an installation by the Romanian artist Victoria Zidaru, who made linen tubes and filled them with a mixture of grass, flowers and herbs. Right: the just completed indoor pool at the Venice Venice hotel, which is connected to the spa. Left: Gaelle Le Boulicaut. Right: Venice Venice Creative Team

By Gisela Williams

T Contributing Editor

Just in time for the Venice Biennale, the 44-room Venice Venice, a hotel situated within a thousand-year-old palazzo on the Grand Canal, is launching its spa, conceived as an art installation. Owned by Alessandro Gallo and Francesca Rinaldo, the founders of the fashion brand Golden Goose, Venice Venice was designed to be a destination of its own, complete with a museum-quality art collection and a canal-side restaurant, when it opened in 2022. Contemporary art is everywhere on the property, including in the spa, which comprises a treatment room (offerings include deep-tissue massages and facials using medicinal plants selected according to the ancient treatise of St. Hildegard of Bingen, a German Benedictine abbess, mystic and healer) and a second, larger stone-lined space with one of the only private indoor pools in the city. Both rooms feature sculptural works by the Romanian artist Victoria Zidaru: In the treatment room, tubes of linen line the walls and, over the pool, a textile work covers the ceiling. From the moment you enter either space, a fragrance is enveloping; the tubes are filled with a mixture of mowed and dried grasses, as well as flowers and herbs — including chamomile, melilot, shepherd's purse and nettle — from Zidaru's garden in Romania's Bukovina region. Zidaru also fills pockets on the outside of the tubes with aromatic lemon balm, several species of mint, sage, lavender and fennel. The artist developed teas and treatment oils for the hotel from her herbal mixtures. "Even before your treatment, you melt into the smell," says Gallo. Rooms from about $600, including breakfast, venicevenice.com.

FROM T'S INSTAGRAM

For Two Color-Obsessed Artists, a White-Walled Home

An open-plan space with white walls and a white ceiling. In the back, floor-to-ceiling windows and a black stove with chairs and a sofa around it. To the front, a long sofa is set against the wall on a large carpet, and to the right, a dining table on wheels is surrounded by chairs.
Simon Watson

When the artists Stanley Whitney and Marina Adams were seeking more space after living in downtown New York for decades, they decided to buy land on Long Island, influenced in part by the artist Jack Ceglic and his partner, the architect Manuel Fernandez-Casteleiro. Ceglic is best known for designing the interiors of the influential SoHo grocery store Dean & DeLuca (all stainless-steel shelves and white industrial tile) in the 1970s; some 30 years later, he began applying his economical, poetic style to a handful of Long Island properties.

After finding an overgrown two-acre plot on a quiet lane outside the village of Bridgehampton, Whitney and Adams enlisted Ceglic and Fernandez-Casteleiro to design a dwelling that would feel, in its proportions, like a city loft set down in the countryside. From the outside, the property's three rectangular buildings — one main house and a studio for each artist — are unmistakably Ceglic: barnlike, with gently sloping roofs and walls constructed from black standing-seam steel. Inside, they're filled with elegant, ingenious touches dreamed up by Fernandez-Casteleiro, including interior plywood doors that swivel on a single pin. Take a tour of the artists' sanctuary here, and follow us on Instagram.

And if you read one thing on tmagazine.com this week, make it:

Continue reading the main story

Need help? Review our newsletter help page or contact us for assistance.

You received this email because you signed up for The T List from The New York Times.

To stop receiving The T List, unsubscribe. To opt out of other promotional emails from The Times, including those regarding The Athletic, manage your email settings. To opt out of updates and offers sent from The Athletic, submit a request.

Subscribe to The Times

Connect with us on:

facebooktwitterinstagram

Change Your EmailPrivacy PolicyContact UsCalifornia Notices

LiveIntent LogoAdChoices Logo

The New York Times Company. 620 Eighth Avenue New York, NY 10018

No comments:

Post a Comment