Friday, October 4, 2024

Open Thread: LVMH, Hedi Slimane, Celine, Jonathan Anderson, Dior, Rick Owens, Rabanne, Anrealage, Cardi B

Also, is a power handbag big or small?
Open Thread

October 4, 2024

In what was likely the most diverse runway of the week, Rick Owens cast employees, students and friends of the house to model his spring 2025 collection.  Simbarashe Cha/The New York Times

Hello, Open Thread. Happy end of fashion month! Happy Jewish New Year. This is the first time in years that the High Holy Days have not conflicted with the shows, and that in itself is a sweet thing for me.

Anyway, it was quite a final week of fashion. LVMH, the world's largest luxury conglomerate, made a series of major moves:

  • It replaced Hedi Slimane at Celine with Michael Rider. (Lots of thoughts on this one coming Sunday.)
  • It announced a 10-year partnership with F1 that will involve Louis Vuitton, Moët Hennessy and TAG Heuer. (I'm telling you: Sports + fashion = future.)
  • It bought the magazine Paris Match. (The better to showcase celebrities wearing their clothes?)
  • And it sold Off-White to Bluestar Alliance, which owns Tahari, Joan Vass and Nanette Lepore (and which sadly seems to signify a fast track to irrelevance for the brand).

I doubt LVMH is done yet, especially given the number of rumors circulating last week about brands that still have designers in place, like Fendi and Dior. The latest: Jonathan Anderson, fresh off a triumphant Loewe show, could be heading to Dior, and Maria Grazia Chiuri (currently at Dior) could go to Gucci. It's the LVMH-Kering version of designer cha-cha-cha.

That was one of my takeaways from fashion month. Here are five more:

  • Best Casting: Hands down Rick Owens, who invited 120 friends-students-nonmodels to walk in his show, in part to demonstrate that although his goth-royalty aesthetic can seem … well, alien, to many people, it's actually quite wearable. It worked: See his leather jackets and shredded gold knit gowns. Also, he said, it was "an excuse to make my entire team and me figure out how to address every single body type that there is."
  • Craziest accessory: Rabanne's 18-carat gold bag, worn with a gold leaf dress, made to order and priced at about $275,666 (250,000 euros). "It's really high jewelry," said Julien Dossena, the designer. Rabanne also made one out of ceramic and one out of Murano glass. In the search for the rare and the special, we may be reaching the apogee.
  • Name you should know: Steve O. Smith, a young British designer who has had his own brand for only two years but is already making waves. All of Paris trooped out to his showroom in the Marais to see his made-to-order pieces, which replicate black-and-white sketches of clothes, but in three-dimensions. Eddie Redmayne and his wife wore Smith designs to the last Met Gala (and then kindly returned them, a rarity among celebrities). Keep an eye on this one. His work is among the most genuinely original, and beautiful, I've seen. I'd wear all of it.
  • Most trenchant commentary on the climate crisis: Anrealage, where the designer, Kunihiko Morinaga, created a show of inflatable pieces made out of the thinnest nylon. Imagine wearing your own air-conditioner! Or turning into a pool float. Either way, it was a smart, fun take on the issue.
  • Celebrity of the week: Cardi B, shrugging off her divorce from Offset to attend the Mugler, Rabanne, Balmain, Rick Owens, Alexander McQueen and Vivienne Westwood shows — each time with a different hairstyle. Sometimes dressing well is the best revenge.

For more news from fashion month, catch up on all of the reviews here. If you've had enough, though, and are desperate for some counterprogramming, consider the value of the boring old suits at the vice-presidential debate, assess the television version of Nantucket style in "The Perfect Couple" (that was my fashion week binge), and check in on how Levi's exploited its Beyoncé moment.

Then have a good, safe weekend. Shanah Tovah.

PARIS FASHION WEEK NEED TO KNOW

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Margaret Thatcher, who wielded a ladylike handbag at all times, in 1975. Evening Standard/Hulton Archive, via Getty Images

I see big bags everywhere, but I never actually see a powerful woman carrying one. Is it smarter to go smaller? — Sarah, Chicago

Remember that famous scene from Season 4 of "Succession," in which Cousin Greg brings a date to Logan Roy's party and she's carrying what Tom calls a "ludicrously capacious bag"? It pretty much sums up the situation.

"What's even in there?" Tom says. "Flat shoes for the subway? Her lunch pail?"

Fashion loves a ginormous bag, and there were lots of them on the runways at the recent spring 2025 shows — Ferragamo, Khaite, Proenza Schouler and Dries Van Noten, among others. But power players? Not so much.

Indeed, you could say there is an inverse relationship between handbags and authority. The truth is, the bigger the job, the smaller the handbag — if a handbag comes into play at all.

Think about it. The last female world leader to make handbags part of her signature was Margaret Thatcher, who turned her structured box bags into a personal totem, like her pussy-bow blouses. (She often carried Launer bags, also a favorite of Queen Elizabeth II.) Since then, it has been hard to think of a female head of state with a handbag.

(To be fair, it's hard to think of a head of state of any gender with a bag, which is the point.)

You never saw Hillary Clinton carrying one. Kamala Harris is never pictured with a purse. Images of Claudia Sheinbaum, Mexico's newly elected and first female president, don't include a handbag. Giorgia Meloni, Italy's first female prime minister, doesn't appear to tote them.

And it's not just politics. Anna Wintour never takes her front row seat with a bag; the sole accessory she carries during the collections is her phone. There are no pictures of Mary Barra, the chief executive of General Motors, who was recently crowned the most powerful woman in business by Fortune, with a bag.

So what gives?

A few things. There is a human tendency to fill up space that is available. Maybe it has something to do with our hunter-gatherer past; maybe it's a just-in-case/be-prepared-for-anything mind-set. (Mothers who are still discovering gummy snack packs in their bags years after their children are grown will understand.)

Generally, the bigger the bag, the more space you have, the more you will stuff into it: water, wallets, pens, wet wipes, notebooks, extra batteries … This creates a situation in which you are toting around a giant lump of a thing that gets in the way and is bad for your posture. Not to mention that it puts the bag-person in the position of someone who serves other people, rather than someone being served.

Carrying a smaller bag demands choices and selectivity. Thus, "Succession" and Tom's extremely snobby but trenchant point. Not carrying a bag at all is, in many ways, a sign of success. It suggests that you have other people to deal with the schlepping. It suggests that you can leave all of that stuff in the car or at the office. It suggests focus on the tasks at hand. It suggests liberation and efficiency. It's a power flex.

And at the very least, it's better for your back.

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